All items on display are available for checkout according to current UL Circulation Policies. Some items on display may also be available by request from OhioLINK and SearchOhio Libraries.
The 1619 Project by
"The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to understand its powerful influence on our present, can we prepare ourselves for a more just future". Provided by publisher
The Emancipation Proclamation by
The Emancipation Proclamation is the most important document of arguably the greatest president in U.S. history. Now, Edna Greene Medford, Frank J. Williams, and Harold Holzer -- eminent experts in their fields -- remember, analyze, and interpret the Emancipation Proclamation in three distinct respects: the influence of and impact upon African Americans; the legal, political, and military exigencies; and the role pictorial images played in establishing the document in public memory. The result is a carefully balanced yet provocative study that views the proclamation and its author from the perspective of fellow Republicans, antiwar Democrats, the press, the military, the enslaved, free blacks, and the antislavery white establishment, as well as the artists, publishers, sculptors, and their patrons who sought to enshrine Abraham Lincoln and his decree of freedom in iconography.Medford places African Americans, the people most affected by Lincoln's edict, at the center of the drama rather than at the periphery, as previous studies have done. She argues that blacks interpreted the proclamation much more broadly than Lincoln intended it, and during the postwar years and into the twentieth century they became disillusioned by the broken promise of equality and the realities of discrimination, violence, and economic dependence. Williams points out the obstacles Lincoln overcame in finding a way to confiscate property -- enslaved humans -- without violating the Constitution. He suggests that the president solidified his reputation as a legal and political genius by issuing the proclamation as Commander-in-Chief, thus taking the property under the pretext of military necessity. Holzer explores how it was only after Lincoln's assassination that the Emancipation Proclamation became an acceptable subject for pictorial celebration. Even then, it was the image of the martyr-president as the great emancipator that resonated in public memory, while any reference to those African Americans most affected by the proclamation was stripped away.This multilayered treatment reveals that the proclamation remains a singularly brave and bold act -- brilliantly calculated to maintain the viability of the Union during wartime, deeply dependent on the enlightened voices of Lincoln's contemporaries, and owing a major debt in history to the image-makers who quickly and indelibly preserved it.
Festivals of Freedom by
With the abolition of the transatlantic slave trade in 1808, many African Americans began calling for a day of publick thanksgiving to commemorate this important step toward freedom. During the ensuing century, black leaders built on this foundation and constructed a distinctive and vibrant tradition through their celebrations of the end of slavery in New York State, the British West Indies, and eventually the United States as a whole, In this revealing study, Mitch Kachun explores the multiple functions and contested meanings surrounding African American emancipation celebrations from the abolition of the slave trade to the fiftieth anniversary of U.S. emancipation. Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership.
In Motion: the African-American migration experience by
African Americans, more than any other populations in the Americas, have been shaped by migrations. Their culture and history are the products of black peoples' various movements, coerced and voluntary, that started, in the Western Hemisphere, five hundred years ago. Theirs is the story of men and women forced out of Africa; of enslaved people moved from the coastal southeast to the Deep South; of fugitives walking to freedom across the country and beyond; of colonists leaving their land to settle on foreign shores; of southerners migrating west and north; and of immigrants arriving from the Caribbean, South America, and Africa. Although the Atlantic slave trade has created an enduring image of black people as transported commodities, and is usually considered the single element in the construction of the African Diaspora, it is centuries of additional migrations that have given shape to the nation we know today, a nation different from that forged solely by the dreadful transportation of the Africans against their will. And it is this vast array of migrations that truly defines the African American experience. Always on the move, resourceful, and creative, men and women of African origin have been risk-takers in an exploitative and hostile environment. Their survival skills, efficient networks, and dynamic culture have enabled them to thrive and spread, and to be at the very core of the settling and development of the Americas. Their migrations have changed not only their world, and the fabric of the African Diaspora but also their nation and the Western Hemisphere. Between 1492 and 1776, an estimated 6.5 million people migrated to the Americas. More than 5 out of 6 were Africans. The major colonial labor force, they laid the economic and cultural foundations of the continents. Their migrations continued during and after slavery. In the United States alone, 6.5 million African Americans left the South for northern and western cities between 1916 and 1970. With this internal Great Migration, the most massive in the history of the country, African Americans stopped being a southern, rural community to become a national, urban population. The men and women of the Great Migration not only transformed the cities they settled in, but their neighborhoods became primary destinations for black people arriving from the Caribbean, Africa, and South America. These immigrants often retained their national and ethnic identities, and brought new resources into the African American community. With each wave of migration, changes in the demographic, cultural, religious, economic, and political life of the recipient communities occurred; and the nation's development has been inextricably linked with these movements. At the same time, from the earliest days, thousands of African Americans have left their country when it became apparent that they would not find at home the freedom and equality they aspired to. Their quest for liberty and better opportunities took them to Canada, Mexico, the Caribbean, and Africa. African American out-migration has now become insignificant, but black popular culture, created out of the diverse influences brought about by centuries of movement, resonates throughout the world in an unprecedented cultural migration. Today's 35 million African Americans are heirs to all the migrations that have formed, modeled, and transformed their community, the country, and the African Diaspora. They are the offspring of diverse African ethnicities who also include, in their genetic makeup, Europeans, Native Americans, and Asians. They represent the most diverse population in the nation. A population that has embraced its varied heritage built by millions of men and women constantly on the move, looking for better opportunities, starting over, paving the way, and making sacrifices for future generations.
Invisible Man by
In the course of his wanderings from a Southern Negro college to New York's Harlem, an American black man becomes involved in a series of adventures. Introduction explains circumstances under which the book was written. Ellison won the National Book Award for this searing record of a black man's journey through contemporary America. Unquestionably, Ellison's book is a work of extraordinary intensity -- powerfully imagined and written with a savage, wryly humorous gusto
Jubilee by
Introduction by Winton Marsalis. Slaves came to the Americas from many different parts of the African continent, bringing with them distinct languages, religions, and expressive arts. Jubilee shows the many ways that these diverse peoples united, forged their own identity, and laid the foundations for truly unique African-American social, cultural, political, and economic expressions throughout the Western Hemisphere. Jubilee is written by Howard Dodson, chief of the Schomburg Center for Research in Black Cultureone of the most prominent institutions of black scholarship in the world. Essays by leading voices in African-American history and literature, including Henry Louis Gates, Jr., John Hope Franklin, Amiri Bakara, Annette Gordon-Reed, and Gail Buckley will explore topics such as abolition and emancipation, changes in family life and social development, religion, and the evolution of language, literacy, and education through the end of Reconstruction. This illuminating text is surrounded by more than 200 stunning illustrations, culled from the Schomburgs collection of more than 5 million items. From slave ship manifests, manumission papers, and some of the earliest photographs of slaves to carved items that echo African sculpture and freedom quilts with African motifs, the book is richly illustrated in an interactive way that brings to life this crucial transition from slavery to freedom.
Juneteenth Texas by
Juneteenth Texas, Publications of the Texas Folklore Society #LIV, received a San Antonio Conservation Society award for the preservation of historic buildings, objects and places relating to the history of Texas and its natural beauty and all that is admirably distinctive of our state, and to educate the public with knowledge of our inherited regional values.
She Came to Slay by
In the bestselling tradition of The Notorious RBG comes a lively, informative, and illustrated tribute to one of the most exceptional women in American history--Harriet Tubman--a heroine whose fearlessness and activism still resonate today. Harriet Tubman is best known as one of the most famous conductors on the Underground Railroad. As a leading abolitionist, her bravery and selflessness has inspired generations in the continuing struggle for civil rights. Now, National Book Award nominee Erica Armstrong Dunbar presents a fresh take on this American icon blending traditional biography, illustrations, photos, and engaging sidebars that illuminate the life of Tubman as never before. Not only did Tubman help liberate hundreds of slaves, she was the first woman to lead an armed expedition during the Civil War, worked as a spy for the Union Army, was a fierce suffragist, and was an advocate for the aged. She Came to Slay reveals the many complexities and varied accomplishments of one of our nation's true heroes and offers an accessible and modern interpretation of Tubman's life that is both informative and engaging. Filled with rare outtakes of commentary, an expansive timeline of Tubman's life, photos (both new and those in public domain), commissioned illustrations, and sections including "Harriet By the Numbers" (number of times she went back down south, approximately how many people she rescued, the bounty on her head) and "Harriet's Homies" (those who supported her over the years), She Came to Slay is a stunning and powerful mix of pop culture and scholarship and proves that Harriet Tubman is well deserving of her permanent place in our nation's history.
Slavery by Another Name by
In this groundbreaking book, Blackmon brings to light one of the most shameful chapters in American history--the re-enslavement of black Americans from the Civil War to World War II--in a moving, sobering account that explores the insidious legacy of white racism that reverberates today.
The Warmth of Other Suns by
In this epic, beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America.
